Symphony No. 1

Résumé

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repetition with smallsegmented triad splitting. The fact that the material of the whole movement is won from that, is a principle which was often used in the classical period.
Instrumentation:
2 flutes, 2 oboes, bassoon, 2 horns, strings and basso continuo
Wq 183/1